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Mar 07, 2011 · It is seriously of the scale.. (Talking Alexa RAW, not D21)" Yes I have. We're doing a project shot all the Alexa next month and an Arri Rep I know gave me a ton of footage to test both ProRes and Raw, 709 and Log. But to be honest I haven't spent a ton of time testing the RAW files as it looks like the project is going to go the ProRes route.

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Oct 24, 2018 · It is inconvenient and error-prone for every editor to understand the raw format of every camera ever made, so the raw video is turned into an intermediate file like ProRes. This changes raw data into a standardized format that all editors can read, and it adds compression which makes the file smaller. The smaller file means less disk I/O is ...

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Jun 30, 2020 · Another day, another partner in the rapidly expanding ProRes RAW alliance. Today, Atomos and Fuji are announcing the first commercially available RAW recording capability for medium format cameras. Here is the press release from Atomos (video below):

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Audio sample rates. 8 kHz, 11.025 kHz, 12 kHz, 16 kHz, 22.05 kHz, 24 kHz, 32 kHz, 44.1 kHz, 48 kHz, 96 kHz AAC Decoder does not support sample rates higher than 48 kHz. Audio bit depth. 8, 16, 24, 32 bit float. Audio Channels. mono, stereo, multi-channel files with up to 48 channels [TO TOP] Supported video output devices

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Apr 30, 2018 · To view and edit the metadata, open the file inspector (⌘4) and click on the info tab. If you scroll down to the bottom, you can click modify RED RAW settings to make your adjustments. If you choose a different RED clip in your browser, the parameters automatically update to reflect the selected clip.

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May 12, 2020 · All image data is preserved in either ProRes RAW HQ or ProRes RAW formats. And the manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius.

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